University of Wisconsin-Green Bay
Literature and Styles in Music I
Italian Trecento Music
I Major Source: Squarcialupi Codex (MS of Florentine Organist)
A. Major genres: Madrigal, Caccia, Ballata
B. Madrigal
- prob. influenced by conductus or secular folk music
- usually 2 voices
- 2 or 3 line stanzas with ritornello (sometimes contrasting meter)
- both voices use same text; upper more ornamented
- texts usually from idyllic, amatory, pastoral poetry
C. Caccia (from French. & Italian "to hunt" or "chase")
(fl. 1345-1370)
- possibly based on Fr. "chace"
- canon for 2 equal voices at the unison with slower moving, supporting instrumental part
- occas. with non-canonic refrain
- text depicts hunt, battle or some other active scene
D. Ballata
- prob. influenced by French ballade, but resembles virelai in form (A b b a' A)
E. Major composer: Francesco Landini (1325-97)
- known as theorist, composer, organist, poet
- all secular works: ballate ( 90 2-pt. & 50 3-pt.), 12 madrigals, 2 caccia
- ballate (major genre for Landini)
- 2-pt. ballate are early works, madrigal-like with ornamented upper voice
- 3-pt. ballate comparable to French ballade:
solo voice with 2 accompanying instrumental parts
- upper part may also have been played instrumentally in ornamented version
- Landini's style
- lyrical melodic line typical of Machaut
combined with smoother harmonies
- harmonies contain few parallel 5ths & octaves; no parallel 2nds and 7ths occas. found in Machaut's style
full triads common
- isorhythm or use of canon infrequent
Last Update 6/21/06
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